5 Songs That Make Me REALLY Happy

I listen to eclectic music selection, some expected and some quite surprising.


Eric Satie, Gymnopédie No.1


He is one of my favorite lesser known composers. Alfred Eric Leslie Satie (Honfleur, 17 May 1866 -- Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie. Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrograph" or "phonometrician" (meaning "someone who measures (and writes down) sounds") preferring this designation to that of "musician," after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911. In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings. Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd. The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie. These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedies are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality. Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them. [from Wikipedia] Artwork: Leonora Carrington "The Temptation of St.Anthony" Played by: Daniel Varsano, Philippe Entremont.




Ted Myer, Hologram Man, from his album Echostrata


Ted Myer was the most brilliant musician in my grammar school, Greenvale School in Long Island, New York. He played the drums, but he now plays every single instrument as well as vocals in his music. Keep an eye on this one, it is engaging and relaxing as is the whole album. Brilliant!




Philip Glass + Ravi Shankar - Passages


Passages is a collaborative chamber music studio album co-composed by Ravi Shankar and Philip Glass, released in 1990 through Atlantic Records.[ 1] Consisting of arrangements by each of the composers around themes written by the other, the album's content is a hybrid of Hindustani classical music and Glass' distinct American minimal contemporary classical style. [2] The album reached a peak position of number three on Billboard's Top World Music Albums chart.




Philip Glass: Aguas da Amazonia


This is extremely relaxing and contemplative. One imagines oneself closer to nature listening to these tracks. I can easily listen to the entire album daily. Uakti Philip Glass: Aguas da Amazonia ℗ 1999 Universal International Music B.V. Released on: 1999-08-03 Composer: Philip Glass




Beethoven: Moonlight Sonata: Piano Sonata No. 14


The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", op. 27, No. 2 has three movements:


0:00 1 mvt: Adagio sostenuto

6:00 2 mvt: Allegretto

8:05 3 mvt: Presto agitato


I had to play the first movement for the New York State Music Awards when I was fourteen. I won the gold medal. It took me years to master it, and I think I would remember pretty quickly to play the entire piece from scratch if given the chance.




Martin Emerson Low